Captain Stephen Overtree is accustomed to taking on his brother’s neglected duties. Home on leave, he’s sent to find Wesley. Knowing his brother rented a cottage from a fellow painter, he travels to Devonshire and meets Miss Dupont, the painter’s daughter. He’s startled to recognize her from a miniature portrait he carries with him–one of Wesley’s discarded works. But his happiness plummets when he realizes Wesley has left her with child and sailed away to Italy in search of a new muse.
Wanting to do something worthwhile with his life, Stephen proposes to Sophie. He does not offer love, or even a future together, but he can save her from scandal. If he dies in battle, as he believes he will, she’ll be a respectable widow with the protection of his family.
Desperate for a way to escape her predicament, Sophie agrees to marry a stranger and travel to his family’s estate. But at Overtree Hall, her problems are just beginning. Will she regret marrying Captain Overtree when a repentant Wesley returns? Or will she find herself torn between the father of her child and her growing affection for the husband she barely knows?
The first Vandermark to return to the area in sixty years, Quentin intends to put an end to the shadowy rumors about the property that has brought nothing but trouble upon his family. Ready to tear down the mansion, he is furious to discover a local woman has been trespassing on his land.
Instantly at odds, Quentin and Sophie find common ground when she is the only one who can reach his troubled son. There’s a light within Sophie that Quentin has never known, and a small spark of the hope that left him years ago begins to grow. But when the secrets of Dierenpark and the Vandermark family history are no longer content to stay in the past, will tragedy triumph or can their tenuous hope prevail?